The print format opens a rich field of associations with the exploration of geometric abstraction in 20th Century art and demonstrates that the outputs of a code-based system can be displayed through a variety of media…

My formal educational background is in art and art history, along with engineering. In terms of art, I had been studying and practicing it for my entire life; whereas for programming, I had been working professionally as a software engineer.

What I want to play with in this series is the tension between the hyper-precision of digital algorithms and the organic texture of watercolors. Generative art has the capabil- ity of infinite precision and perfect render- ing. Perfection, however, is not that interest- ing. The fact that you can draw a perfectly precise circle holds no merit in itself…

The London Collection is a continuation of my interests in visual poetry and early computer constraints. Each time the system runs, it produces a new layout of typographic elements to form a woven tapestry of text and typographic detail…

Ever since I was a student, I have been working closely with technology. I studied Computer Science and Mathematics and I have continued this interest in my work as an artist…

WATERFALLS is a collection of 100 digital animations created by Nicolas Sassoon using a moiré patterning technique, consisting in the overlap of two images to generate the illusion of third image.